We spoke to Becky Crook, a writer and literary translator of Norwegian and German novels into English. She has a degree in Linguistics from Seattle Pacific University. In 2010 she founded SAND, a biannual English literary journal in Berlin, now in its 6th year. After moving to the Netherlands in 2012, she began working primarily as a literary translator, editor and creative project manager. Her family moved again in 2014 to the pacific northwest in the U.S., where she has continued translations while writing her first novel. She lives on Bainbridge Island with her husband and young daughter.
Category Archives: Network
Sophie Davies has worked in writing and editing roles at Thomson Reuters and the British Museum, among others. In 2013, she went freelance upon moving abroad, settling first in Buenos Aires, then in Rio de Janeiro. She has provided freelance editorial services including editing and copywriting to a number of clients, and has also written for a diverse selection of media from South America, including The Economist, the Thomson Reuters Foundation, S&P Global Market Intelligence and The Art Newspaper. She also edits an independent arts and culture magazine called The Kurios.
We spoke to freelance copy editor and proofreader Les Glazier about his unusual career change and the how he came to enjoy life as a freelance editor. Les jumped off a cliff by swapping the construction industry for the world of editing to deploy his linguistic skills. His tea breaks are spent studying the racing statistics while munching Tunnock’s tea cakes.
Just over three years ago, whitefox was approached by one of the larger on-line freelance marketplaces (they had raised $ millions) to see if we’d be interested in helping them curate the part of their platform that related to publishing. I am assuming at the time a number of requests went out to different sectors. It didn’t happen. We said no. I’ve no idea if anyone said yes. But it got us thinking at the time about the old adage, how does the guy who drives the snow plough get to work in the morning? Or more accurately, who is curating the curators?
This year, whitefox will celebrate four years of trying to create a new business model within the world of publishing. Many of the conversations we were having back in late 2011 and early 2012 which must have seemed somewhat outlandish or unnecessary to some people are now taken for granted. No one now blinks at the talk of more outsourcing, the need to bring down fixed-costs, the drive for greater trust, transparency and quality, vetted services within self-publishing. It is accepted that freelance professionals will play an increasingly important role operating in the space between writers and readers.
We spoke to production specialist David Brimble about his vast experience working in production in-house and freelance, his work on BBC’s Wildlife Photographer of the Year books and his love of visiting printers who are passionate about what they do.
Andri Nel runs a digital publishing company called Digi-Taal and is completing her MA in Digital Publishing. Before coming to the UK she completed her undergraduate and honours degrees in Publishing at the University of Pretoria in South Africa and worked on numerous digital publishing projects with both authors and publishers. She is driven by a passion for publishing and the process behind creating books.