There’s so much talk at the moment about the growing freelancer economy, the pluses and pitfalls of going solo, that it isn’t always easy to differentiate between the reality and the myths of striking out on your own. So to try and understand what it is really like, whitefox has been talking to Jill Sawyer. Jill has been freelance for 3 years, working as an editor, typesetter and project manager for a number of individual and company clients. Previously, she worked at DK and Scholastic.
Category Archives: Freelance
We invited Lisa Goll, founder of the London Writer’s Cafe, to share her insights on the isolation of writing and the benefits of connecting with other writers.
You would had to have been on a long vacation from planet publishing not to be aware of the high profile success stories in and around indie publishing from the last few years. Hugh Howey. Joanna Penn. Amanda Hocking. No matter which routes to market they have ended up taking, these are the often-quoted big beasts, the patron saints of DIY.
For many, to imagine a life dedicated to writing is to imagine long stretches of isolation, endless internal battles and unwavering determination. While this must hold true for many, in the cases of several well-known authors, the ubiquitous presence of the editor is often overlooked. Here are a few key author-editor relationships that many of us owe our favourite books to, plus one that left considerable controversy in its wake.
Richard Nash is a strategist and serial entrepreneur in culture and media. He advises numerous start-ups in digital media and consults with corporations on using narrative to grow their business.
Just as new indie authors benefit from the single-minded, entrepreneurial determination to make their books work no matter what obstacles they may encounter, they can also benefit from collaboration and compromise, based on the input from an experienced specialist publishing team around them.
An astonishing statistic this week: nearly one fifth of Londoners are registered as self-employed. Actually, looking at the publishing industry landscape, it’s not all that surprising. As businesses across a range of industries look to cut overheads, reducing the number of in-house staff and relying on outsourcing jobs to freelancers is an increasingly popular option.
We get pretty snippy about ghostwriters in publishing. They are thanked profusely in the front of celebrity memoirs, but there is still a cachet in those non-fiction chart-clogging autobiographies being actually written by the subject themselves. It is authentic. It is the real deal. When I am handing over my money and selecting my gift, those books somehow have a greater perceived value.