All posts by Tim Inman
Marti Leimbach’s career began with the New York Times bestseller Dying Young, which was made into a film starring Julia Roberts. She is also the author of The Man From Saigon and Daniel Isn’t Talking, which topped some of the summer reading lists here in the UK and abroad. Widely translated, and published worldwide, Marti is a core tutor at Oxford University’s Creative Writing Program, where she teaches on the Master’s programme.
Last year you successfully published your first children’s book to add to the adult fiction you’ve written over the years. Did you find the writing process to be very different?
Quite, yes. At one level, it’s easier and more enjoyable, because my adult novels are all set in the real world, whereas The Parent Agency – as indeed is The Person Controller, my new one – is powered by a fantasy storyline, which allows me to let my imagination go.
whitefox is recruiting for the newly created role of Marketing and Publicity Executive. We are looking for a quick-working, highly motivated and entrepreneurial person with a passion for all things publishing to join our team. You’ll have a proven track record in PR and be a dab hand at digital marketing. You’ll be highly computer literate and have great attention to detail. But most of all, you’ll relish the opportunity to join a uniquely positioned and fast-growing start up at the very heart of 21st century publishing.
Applicants should refer to the full job description and apply with a cover letter, outlining what they would bring to the role, and a full CV.
Deadline for applications: July 16th by 5pm.
Please send to: email@example.com
Dr Alison Baverstock is author The Naked Author: a complete guide to self-publishing (Bloomsbury). A former publisher, she jointly founded MA Publishing at Kingston University. A long-time commentator on the publishing industry, her academic research into self-publishing over the past five years has both challenged much traditional thinking, and given heart to many writers. She is currently celebrating the addition of a self-publishing module in The Kingston MA publishing course.
Tom Weldon was brought up in London. After studying history at Oxford University, he was a graduate trainee with Macmillan. After three years as a non-fiction commissioning editor, he joined William Heinemann, then owned by Reed Elsevier. He spent nine years there as an Executive Editor, American Editorial Director based in New York, and then Publisher of the imprint.
Last week The Bookseller reported that big Publishers in the US are giving away $250m in free e-books as part of the Obama scheme. While this is a great initiative that will make children with low-income families (but who can afford e-readers) have easier access to discovering reading, this alone will not be not enough. Yes, it is tempting to throw money (or free books) at the problem, but doing so only creates a temporary fix. If we truly want to get to the root of the problem, we have to dig deeper.
Richard Nash is a strategist and serial entrepreneur in culture and media. He advises numerous start-ups in digital media and consults with corporations on using narrative to grow their business.
Much has been made of the discovery and subsequent scheduled publication of Harper Lee’s Go Set A Watchman. The world seems to be divided. Should we be dizzy with excitement that the world’s greatest living one-hit literary wonder should have actually written another book? Or should we fear for her place in the canon, and a reputation potentially sullied forever all because someone, somewhere wanted to make a dollar?
When you stop working for a large corporate and start rubbing shoulders with entrepreneurs and VCs, and talk about launching your own venture, part of you thinks how institutionalised your business brain must appear, how risk averse your attitude compared to the serial gamblers, because you have to be something of a driven maverick to make and lose millions. But you forget at your peril that in any sector, some experience and knowledge of what might stand a chance of working is at least useful. Which is why we cheered when Dan Kieran from Unbound said last year in an interview “ Publishing is really hard…there isn’t a technical thing we’ve all forgotten.”