Dan Gennoe is a London based writer and novelist. A former music journalist, he’s written cover features, interviews and reviews for Esquire, GQ, Arena, FHM, Q, Mojo, Red, Time Out, The Independent and The Mail On Sunday. He’s mixed with rappers and rockstars, ghosted the memoirs of a celebrity chef and lent his musical expertise to Amazon, Yahoo and Google. He now writes stories about lost souls and their need to be found; his début novel, All Neon Like Love, is out in early Spring next year.
All posts by Louis Dresner
An astonishing statistic this week: nearly one fifth of Londoners are registered as self-employed. Actually, looking at the publishing industry landscape, it’s not all that surprising. As businesses across a range of industries look to cut overheads, reducing the number of in-house staff and relying on outsourcing jobs to freelancers is an increasingly popular option.
Susan Hawthorne, director of an independent Australian book publisher, wrote an interesting article for Publishing Perspectives this week. TLDR: mega publishers are too driven by a desire for commercial success, resulting in a homogenisation of their output; independent publishers, on the other hand – more interested in artistic merit than the potential for commercial success – are likely to put out more original material. The result of such quality-driven publishing decisions is the cause of what Hawthorne wonderfully calls ‘cultural bibliodiversity’ within the book market.